Affectio (2019)

by Gabriel Paiuk

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about

‘In a first determination, an affection is the following: it's a state of a body insofar as it is subject to the action of another body.’[1]

The sound material at the origin of Affectio consists of the diverse rendering of the same sonorous field by different recording technologies. The juxtaposition of this diverse outcome prompts a number questions: What is the boundary between what we perceive as the characteristics of a recorded source and what we perceive as the characteristics of a process of mediation? How is our experience of the spatial in sound inherent to a material process of transduction? What is the role of technology in modulating our engagement with the sensed?

[1] Gilles Deleuze, lecture on Spinoza, 24/1/1978, Vincennes

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released October 24, 2019

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Gabriel Paiuk Amsterdam, Netherlands

Gabriel Paiuk (*1975) is a composer and sound artist whose work is concerned with the ways in which we listen. In recent years his work has focused on how material conditions and practices of sound mediation play a role in the ways we engage with sound. His work takes the form of sound installations and compositions for instruments and electronics.

More information here: www.gabrielpaiuk.com
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